<Marc Liberte>鑑定書付バイオリン弓 
サイズ 4/4
重量   60.9g
材質   フェルナンブコ材
形     丸形
巻線   銀の糸
フログ エボニー、純銀
ねじ   純銀
サムグリップ 牛革(茶色に染色されています)
チップ 象牙
<Bazin>鑑定書付バイオリン弓 
サイズ 4/4
重量   60.4g
材質   フェルナンブコ材
形     丸形
巻線   ジャーマンシルバー
フログ エボニー、真珠母(青貝)
ねじ   ジャーマンシルバー、真珠母(青貝)
サムグリップ 牛革
チップ 合成樹脂
<Silvestre>古いバイオリン弓 
<Kittel>古いバイオリン弓 
<Lammy Paris>古いフレンチのバイオリン弓 
サイズ 4/4
重量   
質   フェルナンブコ材
形     角形
巻線   銀の糸
フログ エボニー、真珠母(青貝)
    純銀
ねじ   純銀、エボニー、
    真珠母(青貝)
サムグリップ 牛革
チップ 象牙
サイズ 4/4
重量   60g
材質   フェルナンブコ材
形     角形
巻線   鯨のひげのイミテーション
フログ エボニー、真珠母(青貝)、純銀
ねじ   エボニー、純銀、真珠母(青貝)
サムグリップ 牛革
チップ 象牙
サイズ 4/4
重量  64g
材質  フェルナンブコ材
形  丸形
巻線  銀の糸
フログ エボニー、純銀、真珠母(青貝)
ねじ  ステンレス
サムグリップ 牛革
チップ 合成樹脂

In good and immediate playing condition, this bow was long in the hands of an American orchestral player and occasionally used for solo performances. This player acquired it in France in the pre-war years while studying in Paris. Despite obvious signs of wear at the thumb rest, it is still in very good condition. It is made of very strong chocolate brown pernambuco and is fully mounted in silver. The evony frog has a silver slide, The adjuster is a later replacement, so is the metal tip. This well crafted stick has no break history and is still going strong after more than one hundred years. The mechanic is A-one and the stick is as straight as an arrow, French bow someone?

Clearly branded H.C. Silverstre a Paris, this fine octagonal French bow is in pristine condition. A rare find in this day and age of mass production, this bow emanates from the workshop of H.C. (Hippolyte Chretien) Silvestre in Paris, a maker ranking in reputation with the likes of Gand, Vuillaume & Lupot. A fine production in itself, this splendid bow is appraised at \800,000. Fully mounted in pure solid silver and ebony, this ivory tipped bow of fine dark chocolate pernambuco is one of a kind. Made in the latter half of the 19th century, it still looks as it did a hundred years ago. It is now looking for a player who will take care of it as its prior owner did. A great bow looking for a great player, you perhaps….. 

Certified 19th century French violin bow from the “Bazin” workshop

As stated above this bow is a fine example of the work of the Bazin family, this one being due to the skillful hand of Charles Nicolas Bazin, founder of the famed Bazin workshop at Mirecourt. This bow is perfectly balanced and strong. Without break history and proper camber it is a good practical instrument. Mounted in German silver and ebony, with mother of pearl Parisian eye and matching slide. This bow comes with a  certificate of authenticity by Lynn Armour Hannings guaranteed by Jean-Francois Raffin, the foremost contemporary bow expert in the world.

French violin bow by Marc Laberte, with certificate, for the discriminating professional.

Magnificent round French bow by Marc Laberte. Mounted in pure genuine silver and ebony with an ivory tip, this bow is in perfect condition. The stick is made of chocolate brown pernambuco of old stock of the very best quality. This bow is clearly intended for professional use. It is strong, it is straight, it is perfectly cambered, a bow made to last for a player who know best. Sold with a certificate from famed establishment Fritz Reuter & Sons of Chicago.
 www.fritz-reuter.com

Exceptionally fine bow branded “Nicolaus Kittel” (German emigre active in Russia)

Modeled after Tourte, this magnificent bow combines strength with elasticity, perfect balance with refined workmanship. Mounted in solid pure silver and dark African ebony, this bow is not only a joy to look at, but also a pleasure to play. No finer mother of pearl or better chocolate brown pernambuco could have been selected to make this splendid masterpiece of octagonal precision. Straight as an arrow this 19th century Tourte model could be mistaken for an original French bow weren’t it for the clearly branded “Kittel” found above the frog. Yours today?